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Bach at Noon March

March 9 @ 12:00 pm - 1:00 pm

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Join us – virtually – for our Bach at Noon concert recorded at Central Moravian Church in downtown Bethlehem.  The Bethlehem Bach at Noon program is presented in September, October, November, January, February, March and April; there are no Bach at Noon performances in December or May.

Due to Covid-19 restrictions, and following our own safety protocol, we are unable to gather large groups of singers and instrumentalists or an audience.  Each virtual performance features vocal soloists, along with a small ensemble of Bach Festival Orchestra members, with an informative and lively introduction to each piece from conductor and artistic director, Greg Funfgeld.

What a beautiful note we received from this month’s Challenge Gift donor, Marie Gardner Zoellner –
“I attended every concert I could at the Central Moravian Church when taking care of elderly parents in Bethlehem. I was impressed (but subsequently not so) that it was standing room only. We have world class performers in The Bach Choir, one should certainly not miss seeing The Choir perform live, if you enjoy choral and Bach music.
…There are NEVER enough choral works for me. Listening to such music calms my spirit when the world seems to be in chaos. At times, the music brings me to tears. I once said to myself that ‘each note is like a raindrop from heaven, nourishing my thirsty soul’. When listening, I marvel at how one person can write music for so many different instruments, and then voices, and then when it all comes together it’s MAGIC!”
We are so grateful to music lovers like Marie, whose generous Challenge Gift for this month’s Bach at Noon Concert means that every contribution we receive will be matched, up to $1000!   Will you help us meet the challenge?

Good will offerings gratefully received online!
Prefer to give by phoneText BNOON to 44-321. Thank you!     

We hope you enjoy this gift of spiritual and musical refreshment from The Bach Choir of Bethlehem!

Reminder!  Rebroadcasts of Bach at Noon concerts are on WWFM!  Tune in at 1 pm on Monday, March 8 for the January, 2021 concert, featuring:

Soloists:  Rosa Lamoreaux, soprano; Charles Holdeman, bassoon
Elizabeth Field, violin |  Mary Watt, oboe d’amore

“Join us” as we present Bach Together, our March Watch Party – online in your home.

We will update the link shown below on March 9. Click on it today to enjoy our February concert!

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PROGRAM:

CLICK HERE to download and print the program.

You may also view the program ONLINE.

Featured Soloists:

Dashon Burton, bass-baritone
Loretta O’Sullivan, cello

Elizabeth Field and Linda Kistler, violins
Uri Wassertzug, viola
Loretta O’Sullivan, cello
Stephen Groat, bass
Nobuo Kitagawa, English horn
Charles Holdeman, bassoon
Greg Funfgeld, keyboards

 ~ Interview with Loretta O’Sullivan ~

Francois Couperin
Le Dodo ou L’amour au Berceau

Felix Mendelssohn
Song without Words for cello and piano, Opus 109

  ~ Interview with Dashon Burton ~

Johann Sebastian Bach 
Aria from Cantata 149
Nr. 2 – Kraft und Stärke

Arioso from The Passion According to Saint John
                Nr. 19 – Betrachte, meine Seel

Aria from The Passion According to Saint Matthew
                 Nr. 65 – Mache dich, mein Herze, rein

Ralph Vaughan Williams
from Five Mystical Songs – Nr. 2       

Johann Sebastian Bach 
Aria from Cantata 82
                 Nr. 3 – Schlummert ein, ihr matten Augen

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Details

Date:
March 9
Time:
12:00 pm - 1:00 pm
Event Category:

Venue

Central Moravian Church
73 West Church St.
Bethlehem, PA 18018 United States
+ Google Map
Phone:
(610) 866-5661
Website:
http://www.centralmoravianchurch.org/

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"From anguish to elation, and just about everything in between, pretty much describes the vast emotional landscape covered in Friday evening’s concert at Packer Memorial Church presented by the Bach Choir of Bethlehem. Splendid musicianship, rousing choruses, and the sublime voices of the soloists turned grief into joy and sorrow into triumph."

—The Morning Call, May 2018

"The oft-quoted phrase 'a drumroll, please' aptly applies to the opening of Rutter’s exultant Gloria, which provided a dramatic finale to the program. What a thrill to hear those punchy, syncopated brass lines accompanying some really polished and vibrant singing. The “Domine Deus” section sported some lovely soprano voices in addition to many demanding, multi-part choruses –— some with up to eight parts. There was a miraculous blend of tone and balance throughout."

—The Morning Call, March 2018

"The performance was one of integrity, movement, passion and weight. The effortless virtuosity and stylistic homogeneity of the combined forces in the chapel's stone sanctity, allowed Bach's music to sing out with infectious, exhilarating enthusiasm."

—The Huffington Post, 2017

"The audience was thrilled by this outstanding performance of a Bach Cantata by seasoned experts immersed in the composer and informed by Greg Funfgeld's wisdom and enthusiasm...The Bachs [J.S.B and C.P.E] could not have been better served, not to mention two English Renaissances, as well as our own time. It went beyond mere intelligent programming and committed performance, enriched by a deep sense of the mutual nourishment of music and faith."

—New York Arts, 2015

"Nestled in the Pennsylvania countryside, on and around the bucolic campus of Lehigh University, the Bethlehem Bach Festival, under the artistic direction of conductor Greg Funfgeld, is in its 108th season and going strong. If it has flaws, they are like those that distinguish a fine emerald from the perfect clarity of a fake...their choral sonority is so rich you can feel it in your bones."

—The Wall Street Journal, May 2015

"Two days later I am Newark bound again, with a head full of the history of a town I previously had no awareness of, and with a heart full of the music of Bach, presented in a context that felt less like a festival than a glorious friendship between a great composer and the orchestra, conductor and choir at the heart of an extraordinary town."

—The Whole-Note - Toronto, June 2015

"The Bach Choir of Bethlehem, founded in the 19th century, has gained international recognition through its annual Bach Festival, tours and recordings. The more than 100 vocalists displayed clean tone, excellent pitch and blend, and kept good tempo even in the most stressful numbers…outstanding, energetic and crisp. The orchestra was a collection of top freelancers from around the Eastern Seaboard including several from Washington… baritone Dashon Burton, was the standout. He has a clarion instrument that projects well throughout his range…a splendid dramatic performance. Soprano Rosa Lamoreaux was also excellent, expertly modulating her silvery tone for the various roles she took…This was the choir’s big night, though, and it gave great pleasure…”

—The Washington Post, March 2013

“A handsome account of Bach’s St. John Passion on this new release confirms that the Bach Choir of Bethlehem doesn’t rest on anything resembling laurels. Greg Funfgeld has trained his singers to articulate words crisply, dance lightly when the music must move and blend elegantly. Funfgeld brings a sure sense of phrasing, texture and pacing to the narrative, and the Bach Festival Orchestra—mostly modern instruments, with viola da gamba, violas d’amore and portative organ supplying period flavors—are cohesive and nimble. Charles Daniels stands out as a poetic and powerful Evangelist, William Sharp as a warmly inflected Jesus and Julia Doyle as a shining champion of the soprano arias.”

—Gramophone, November 2012

“The Bach Choir of Bethlehem sang a Brahms motet (“Lass Dich Nur Nichts”) with all the polish and fervor it brought to cantatas by its namesake.”

—New York Times, September 2011

“..inspired program of hope, optimism and comfort …disarmingly powerful…overflows with jubilation”

—The Morning Call, October 2011

“America’s venerable Bach Choir of Bethlehem makes its Analekta debut on a disc brimming-over with festive D major trumpets-and-drums brilliance…Julia Doyle and Daniel Taylor heading up a distinguished solo line-up.”

—BBC Music Magazine, May 2010

“Conductor Greg Funfgeld coaxed a lovely rich chamber orchestra sound from the Bach Festival Orchestra strings...The hauntingly beautiful voices of Taylor and Zsigovics—she in her festival debut—melted together like two precious metals, hers of bell-like clarity, his a more complex alchemy, with a sheen like liquid mercury.”

—The Morning Call, May 2010

“As I listen to The Bach Choir of Bethlehem with Greg Funfgeld conducting…I find it hard to believe this is an all-volunteer choir but it’s true…a well polished vocal ensemble, and a true level of musicianship and understanding of the choral music of Bach.”

—Minnesota Public Radio Review, December 2009

“…an American musical treasure… they sing with a fervor and a level of musicianship that carries one away—from bass to soprano, the supple strength and solidly integrated tone of this amateur choir reflects the most admirable qualities of the European-American tradition of choral song.”

—Wall Street Journal May, 2007

“By all accounts the chorus remains as vital an institution as ever…The B-Minor Mass performance was rousing, committed and touching…Bach’s ‘St. Matthew Passion’ too was ardently and lovingly performed…”

—New York Times, May 2007

“This is Bach at its finest. The conductor, orchestra, soloists, and chorus are eminently capable of the nuances of the rich harmonic texts …spirited and vivacious…It is not likely to get any better than this on this side of the Atlantic.”

—The American Organist, January, 2004

“America’s venerable Bach Choir of Bethlehem sang Bach and Mendelssohn with good-natured and ruddy-cheeked elation. And their centerpiece was a BBC/Bach Choir co-commission, the world premiere of Libby Larsen’s I It Am, a jubilant cantata based on the writings of Julian of Norwich…this highly coloured and disarmingly unsophisticated work came from, and went straight to, the heart.”

—The Times, London, July 2003

“The Bach Choir of Bethlehem…had their audience enthralled…The choir knows and loves this work – and it shows…transatlantic magic.”

—The Scotsman, Edinburgh, July 2003

“Nearly one hundred strong, the Bach Choir of Bethlehem tempers its power and energy with the intimacy of a much smaller group. It also blends seamlessly with the excellent modern-instrument Festival orchestra which Greg Funfgeld conducts with an obvious knowledge of, and sensitivity to, modern performance practice.”

—Early Music News, California, October/November 2002

“…the Choir and Festival Orchestra, under their director, Greg Funfgeld, perform these three cantatas beautifully and convincingly. The work of the soloists is excellent, too…Excitement, dedication, power—all things that we hear more and more seldom in Bach cantatas—lend distinction to this beautiful and well-produced recording.”

—American Record Guide, November/December 2002

“Sheer jubilance…exceptional elegance and grace…radiant performance…Having heard the Bethlehem Bach Choir pour its heart into the master’s vocal music, one will never listen to it in quite the same way again.”

—Musical America, May 2001

“The Bethlehem Bach Festival is one of the most venerable musical institutions in the USA, with an unmatched tradition of introducing Bach’s music to our shores. Greg Funfgeld…has revitalized this Pennsylvania institution, and Dorian is doing well to document its vibrancy in a recording series… genuine honesty and intelligence informs this performance…Funfgeld has forged a fine body of singers and players…tightly disciplined ensemble …rousing spirit and sacred joy aplenty. This recording will not disappoint.”

—American Record Guide, November/December 2000

“…intoxicating but precise choral sound that reminds you why choruses grew this large in the first place. The elemental power is startling…the Bethlehem approach under Greg Funfgeld isn’t anachronistic, but meets the historically enlightened approach halfway…We know from Bach’s often irritable correspondence that he campaigned for more singers. The Bach Choir of Bethlehem gives him all he could have wanted. Maybe this is “in-his-dreams” Bach.”

—Philadelphia Inquirer, December 2000

“…a performance that confirmed my belief that this is one of the finest large amateur choruses in the United States.”

—The Washington Post, May 1999

The Bach Choir gratefully acknowledges and thanks our sponsors and media partners for supporting our organization and the arts.
The Choir is supported in part by the National Endowment for the Arts and the Pennsylvania Council on the Arts.

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